| Comment: Re: In Search of Varied SSATB Repertoire | Mary Jane Leach | May 4, 2012 |
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If you could stretch to SSAATB, I have a couple of pieces, Song of Sorrows reworks phrases from Monteverdi and is published by Peters. Another, Ceremony of the Bull, adds a string quartet to that configuration. Both pieces involve all singers - i.e., no boring parts.
Here's a link to my cho... |
| Comment: Re: New Women's Group forming - REP? | Mary Jane Leach | April 30, 2012 |
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I have a number of pieces of moderate to difficult level. Most are 8-part.
http://www.mjleach.com/compositions-choral.htm
If you are interested, I can send you a link with complete scores and sound files (where available). Three of the earlier pieces (Bruckstück, Green Mountain Madr... |
| Resource: Mary Jane Leach (New York, USA) | Mary Jane Leach | March 25, 2012 |
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| Comment: Re: Music for Woodwinds and Choir | Mary Jane Leach | September 29, 2011 |
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Karin Rehnquist has written a beautiful piece for chorus and oboe.
Till Ängeln med de brinnande händerna (to the Angel with the fiery hands) (2000) for mixed choir and oboe.
Mary Jane Leach
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| Comment: Re: Works about Night | Mary Jane Leach | February 7, 2010 |
| I have a short piece, Night Blossoms, that is based on a Japanese haiku. The score and recording are on this page:
www.mjleach.com/compositions-choral.htm
Mary Jane Leach |
| Comment: Re: Works by women composers from New England | Mary Jane Leach | February 6, 2010 |
| Hi, I'm a native Vermonter, although I live 20 miles from Vermont now.
I've got quite a few choral pieces, not too many that are short, but here is a web page that has my choral pieces listed.
www.mjleach.com/compositions-choral-invite.htm
One of the pieces is about ten minutes for 8-part ... |
| Comment: Re: See it: Well-tempered vs. Pure | Mary Jane Leach | November 2, 2009 |
| John, I think you were unnecessarily harsh. The entry was clearly labeled "See it" - i.e. visual, and I for one found it fascinating, even if tied into a product. The whole point was that you can visually see the shapes of intervals in different tunings, so of course the purest tones were used to ... |
