Block Scheduling: Pacing a 73-minute middle school rehearsal
This is a compilation of all 5 replies I received on this subject. I plan to implement some or all of the suggestions this school year. Perhaps others will find their comments useful too.
The "original message" below is my first email. Under that, each reply is numbered "Reply #1" through "Reply #5"
Thanks for everyone's help...
- Mr. Jussi Doherty juse(a)email.com
Original Message- From: Choralist [mailto:CHORALIST-L(a)LISTSERV.INDIANA.EDU] On Behalf Of Jussi Doherty Sent: Tuesday, August 10, 2004 7:03 PM To: CHORALIST-L(a)LISTSERV.INDIANA.EDU Subject: [CHORALIST-L] Pacing a 73 minute MIDDLE SCHOOL chorus rehearsal
I am trying to find out how others pace their rehearsals while on a block schedule (usually 70+ minutes). I know that stretching out a 50 minute rehearsal into 73 minutes is not the answer... What SPECIFIC activities are teachers doing to make full use of the extra time? If it's a listening activity or some other written assignment, then please describe it!
The reason I make this request is because I will be teaching chorus in MIDDLE SCHOOL, 73 minutes per period. I am used to teaching 50 minute rehearsals, and I'm a little worried about making this work!
-Reply #1- From: LYNDA313(a)aol.com [mailto:LYNDA313(a)aol.com] Sent: Wednesday, August 11, 2004 9:58 AM To: "Jussi Doherty" Cc: lynda313(a)aol.com Subject: RE: choral rehearsals - long ones
Hello again. I'm going to start with my opening activity, then go on to a sample class schedule. I have a section of the chalkboard for each grade level or class, listing what materials they need that day. This eliminates the hundred or so questions as class begins. The first week of school, the only thing I kept repeating was "read the board". By the second week, they were routined and we can start class quickly. I keep class folders in a labeled crate, and students know where to find them and other materials.
FOCUS activity when they come in room: a listening lesson (brief) nearly every day. Exceptions: If I have a quiz for them, I might make 5 min. study period their focus...or study a certain piece of music or sightreading.
Instructions for Listening Log: I have my students furnish a folder with brads and pockets, and I created a "Music Listening Log" with columns for title, composer, performer(s), then left about 3 lines for description, not critique. I told them the first day that this exercise is to sharpen their listening skills, and sometimes I direct that listening, other times I don't. One example is that occasionally I will ask them specifically to listen for instrumental accompaniment, or perhaps to give me some words describing the tempo, or the mood, or the style. This begins to give them a vocabulary for listening. I don't allow: this is cool, I hate this, etc. Description only, not judgement. I try to vary the selections.
I do not allow any conversation during the music. This, in itself, is tough for them, since music is background to so many things these days. After the piece ends, I ask if anyone wishes to share their written comments, and we have a brief discussion. Your 70+ minute periods will help you have the luxury of this discussion time, which is great for middle-schoolers. Then put away the folders under the chairs and begin your other activities.
Here is a sample class period: FOCUS (listening log) - 10 minutes or so, including discussion WARMUPS and solfege practice Next can follow extended Sightreading practice as a large group, OR I divide them up into sections or other groupings to do the following, rotating every 12 min. or so: 1. sightreading or writing in solfege on an exercise 2. sectionals on music we are rehearsing 3. music journal topic writing (am using some topics from MUSIC JOURNAL TOPICS by Peggy Neal Klein Morton, 2001 McDonald Publishing Co., ISBN 1-5570-8-726-1) 4. research (this can be anything you like, from reading an article you copy and then have them summarize, or whatever form you wish this to take) Then, large group activities: put piece together that you have been rehearsaing, OR introduce new pieces, OR do problem-solving on any of the activities you are using.
CLOSING: announcements, reminders, clean up.
*I find that MS students need a great deal of organization, but that within that form, you can let down a bit and show them how to enjoy the longer class periods. I simple don't allow any disrespect, and I try my best to model respect for each of them. I have told them that we are learning to use our own voices in a healthy, expressive way, and how to deal with our friends in choir, showing teamwork and respect for others. The toughest part is working in groups and being able to focus on what is asked of them in those groups.
*In addition, the reading/writing/comparison/summary activies will help you to reinforce what they are learning in their other classes, and the language arts folks will love that, too. Be certain to let your administrators know that you are including all those types of learning!
I have no trouble filling 90 minutes, and today in my first period class, we could have gone on for another half hour with no problems at all. I hope you enjoy the "luxury" of long classes!
Good luck. Sincerely,
Lynda Boltz Durant Rd. Middle School (a multi-track, year-round school) Raleigh NC
-Reply #2- From: Brooks Grantier [mailto:bgrantier(a)musiccenterscmi.com] Sent: Wednesday, August 11, 2004 1:33 PM To: juse(a)EMAIL.COM Subject: Re: [CHORALIST-L] Pacing a 73 minute MIDDLE SCHOOL chorusrehearsal
Hi, I direct a choir of boys, ages 8-14. Our performihng-group rehearwsals range from 90 to 120 minutes, twice weekly. There are several models we use, depending upon the group. Here are some samples: SCHEME 1: 120 Minute rehearsal. Vocalise (breathing, vocalizing) 15 minutes. Sight-Singing Drill (NEVER omit this). 12 - 15 minutes Rehearsal of new music balance of 60 minutes Break at 1-hor point, 10 min. Rhythm drill (clap/count) 10 min. Scales & intervals drill (ear-training), 5 mintues Finish new music agenda, then review of music in process. END the rehearsal 3-5 minutes before stated time, to wllow for annc'ts and clean-up chores. SCHEME 2: 90 Minute rehearsal, for young singers, involving some singing, some "music-skills" work. We do this rehearsal scheme ONCE per week, and a full music rehearsal the other time. Vocalise (12 minutes) Divide into groups for "class" work on notation, rhythm, sight-singing, key-signatures, diction, etc.40 minutes) Break * 7 mjinutes, at the 50-minute point Rhythm drill and ear drill 10 mintues Rehearse new and old music NOTE: This scheme is ONLY for the younger singers, and becuase of the time spenct in learning "music-skills," they don't learn quite as much repertoire. But due to the gourndwork laid, they will be ready to take on much more reapertoire later on.
Hope that this may be of value. Brooks Grantier, The Battle Creek Boychoir, Battle Creek, MI
-Reply #3- From: kimberlee bratton [mailto:bratton(a)mcn.org] Sent: Tuesday, August 10, 2004 10:51 PM To: Jussi Doherty Subject: Re: [CHORALIST-L] Pacing a 73 minute MIDDLE SCHOOL chorus rehearsal
Hi! I taugh HS choir on blcok for the fir time last year and now this year my MS is moving to bloack as well....yikes! I teach 4th-12th.
I had 50 kids in one of my HS chorus classes and in the beginning the 90 MINUTES killed me and them.
I worked on for a while and then came up with something that worked for the kids and I.
We start rehearsal with warm-ups, sight-reading and regular rehearsal time. Then, I give them a 10 minute stretch and water drink break and time to talk w/each other.
When we come back, I do sectionals and sometimes solo-work. I usually work with Alto's and soprano's and then I'll work with the men. The other group)men or women) then have time to sit quietly and work on homework or work on their parts. Sometimes I do a theory or history assignemnt after the break as well.
I think it's best to start right off with a regular rehearsal....before their brains get tired!
Good luck! It's hard at first, but you'll get used to it. I now have to get used to doing the middle school for 90 minutes at a time! My Middle school kids really love MUSIC BINGO, and othe theory and history games I have. So...I'll probably do a little of that with them during the second half of class.
Kim :-)
-Reply #4- From: Lanny McManus [mailto:lmcmanus(a)cbc.edu] Sent: Wednesday, August 11, 2004 11:56 AM To: Jussi Doherty Subject: RE: [CHORALIST-L] Pacing a 73 minute MIDDLE SCHOOL chorus rehearsal
When I had to deal with a block schedule, I inserted a theory, reading, music history segment when they seemed to be losing concentration. This usually occurred at 45 or 50 minutes. I tried to keep the activities active and not to heavy. Then for the last 10 or 15 minutes return to singing something that was not to difficult or was very well known and liked. That way they had a break that allowed a change of focus and ended with singing.
Of course basic reading exercises were my first activities, especially the game type exercises. After the reading was reasonable, I helped them construct a pentatonic tone row and aleatoric system based on a game of spades (their favorite card game). Once we had decided what instruments represented what players and which form of our tone row would be called for by which cards, we played the game and recorded the order of events. Then I had them put the results into Finale. I let Finale play it since we did not have a band. I would have brought in live musicians if possible. This was the end of the year project.
Lanny R. McManus, D.M.A. Director of Choral Activities Central Baptist College 1501 College Ave Conway, AR 72034 (501)329-6872 ext. 150 lmcmanus(a)cbc.edu
-Reply #5- From: McKee-Alexander, Bethany - West Port High School [mailto:mckeeb(a)marion.k12.fl.us] Sent: Wednesday, August 11, 2004 7:31 AM To: Jussi Doherty Subject: RE: [CHORALIST-L] Pacing a 73 minute MIDDLE SCHOOL chorus rehearsal
I got this great idea from another teacher in my county. I have my students keep a listening journal. In this journal they describe different pieces that I play for them (recordings). I tell them that they need to describe in such a way that they could use their journal to recognize the piece again. Then ever so often I will have a listening quiz and the students can use their journals to identify the pieces on the Quiz. We listen to everything from Beethoven to Billy Joel, instrumental to rap. The kids get exposed to all kinds of music and they love the activity. If a student is absent, I tell them they need to copy the description from another studentthat way they can still be held accountable. I hope this helps take up some time. I have block scheduling also, it can be a challenge!
Bethany McKee-Alexander Choral Director West Port Middle/High
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Also, any recommendations for a good sight reading method that starts at the very beginning, assumes no musical background and would be interesting enough for both high school kids with no background as well as kids who have some reading skills.