Grading: Testing chorus students
ORIGINAL REQUEST:
>My school requires that we give a "mid-term" just prior to the Winter >Holidays. I have not done this before and have never given my MS chorus >students all-encompassing tests. I thought I'd seek out others who >already do this through Choralist! (SNIP)
NOTE: Thanks to those who replied! I got 4 replies, but one was particularly interesting. Its at the bottom because it was also the longest. Obviously, we can't all do the same exams but your comments will help me create my own. I plan to incorporate several of your suggestions this December.
RESPONSES:
It's been a while since I've taught MS, but when I did I always gave a mid-term, which basically consisted of singing a selected portion of one of our pieces in quartets, individuallized sight-singing and a review of terms covered (in their music) through the term. I consider this a necessary assessment though, and it was weighed (I think) 50, 30, 20.
-
Good luck with your students mid term exam! Perhaps questions could be based on the repertoire they are learning, including composers, time periods, historical events of the same time, vocal ranges within the pieces, use of melodic motives, compositional styles, etc.
-
I don't have anything for middle school testing. I give a high school final each semester and have the kids sing in quartets or trios depending on the voicings of the music. The only way they can fail is if they refuse to sing or walk away and sit down. If they just stand there, they will get a 60%. If they sing any part they get a 70%. If they sing their part half right they get 80%, mostly right 90% and perfect is 100%. It allows me to hear the kids and gives them an hour if they are not secure enough to sing in front of their peers.
I test the kids about once a month by recording them individually on the repetoire in the following way.
8 students at a time, 8 microphones, recording through 8 channels on to 8 tracks on a computer software program called Cubase. Students who are not being recorded sing anyway - but away from the mikes.
Each student's track is then converted to mp3, emailed to the student along with a rubric based on the one I have attached (this rubric is wordy and needs to be introduced bit by bit on successive tests). They self assess and then I teacher assess about one third of them (the ones that think they are brilliant, the ones that think they are terrible and a random sample of the ones in between). I also ask the student to write a short paragraph setting priorities for improvement they want to work on and I always write back with suggestions or a promise to add their concern to the lesson plans (if enough students have the same concern). Then they put these goals onto their practice sheet so that their at home practice is as efficient as it can be.
This makes them self-motivated learners, me a better teacher, and breaks right through all that nonsense about choral directors teaching students when in fact they are teaching choirs using a scatter gun approach not based on individual student needs. It also motivates them to be ready for concerts :)
This takes time, but less time thanif you have students coming in (or forgetting to come in) during lunchbreaks for individual assessment.
There are good software programs for continuously assessing theory (Alfred Theory does one) or you can use the books as I do currently. For sightreading, I listen to Grade 8 students individually in front of their peers, Grade 6 students get recorded in groups of 8 using the same method I mention above, and Grade 7 students get the choice, with a higher than A grade possible for those who take the risk and an A still possible for those that don't). Auralia does an excellent ear training program which really quickly lets droners tune up their ears.
******************** COMPILATION sent by: Mr. Jussi Doherty juse(a)email.com
|
Good Luck
Pete Rodrigues