Concert policies: Talking by audience during concerts
Friends:
Evidently this is a pretty common problem! I got lots of responses. The original post in listed below followed by a summary of the responses received.
Original post:
Last Thursday something happened during our concert that I've never had to deal with before. Someone (or several someones) sitting in about the third or fourth row was whispering during the entire concert, pausing only to applaud. I didn't notice it too much during the first part of the program because I was standing closer to the choir. During intermission the choir was talking about it and how distracting it was. I moved farther from the choir in the second half and then I could hear it, even while the choir was singing. Some in the choir were glaring at talkers and I even gave them "the look" during one piece. That helped some, but I really had trouble focusing for a couple of pieces. I think they were students, non-majors, probably there as part of a concert requirement for Music Appreciation.
Have any of you ever had to deal with this? Is there a protocol for such a thing? After the concert I thought that I should have said something like "I would like to remind everyone that our concerts are recorded and that any talking, or even whispering, during the performance comes through on the recording."
Let me know what you thing the best way to handle this is? I'll post a compilation.
Responses:
While some mentioned that automatic weapons might come into play, most responses fell into the following categories:
1) Some sort of announcement from the stage like I mentioned above. (We have a recorded message that plays at the beginning of each concert that covers things like cell phones, etc. We will be modifying it next year to include talking or any other noise that might be disturbing to audience or performers.)
2) A line or two about audience etiquette printed in the program. One person suggested such guidelines be posted in the foyer of the hall.
3) Stopping in the middle of the piece, addressing the issue, restarting the piece, and continuing. Some suggested directly addressing the offenders. Using the word "rude" was mentioned frequently. Waiting and staring until the problem stopped was also mentioned by several.
4) Ushers that would be charged with upholding the "law."
5) Several were very adamant that the recording factor shouldn't be brought up - that it was bad behavior and should be addressed as such. The performers and the (listening) audience both deserve that much respect.
I guess the bottom line is: Our work as educators extends to the audience as well as the singers.
-- Stephen M. Hopkins Director of Choral Activities Hayes School of Music Appalachian State University Boone, NC 28608 email: hopkinssm(a)appstate.edu
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I think,the best thing is to kill it before the music starts,
in other words wait until the silience is total.
These people will very clearly understand what you are trying to say
to them.