Gay/lesbian musicChoralisters, Thank you for taking the time to send me your suggestions. Below is a compilation of the responses. Colleen Kennedy Choral Director/Music Teacher Beverly Vista School Beverly Hills CA cbken(a)comcast.net ******************************* (Part-time geek) Check out 1. "Contrasts" music by Robert H. Young to two poems by Christina Rossetti : "For Sweet Things Dying" and " A Birthday" This is a Gentry Publication: JG2233 SATB with divisi, a cappella 2. "I Will Be Earth" music by Gwyneth Walker to a poem by May Swenson published by E.C. Schirmer. Was originally written for women's voices and piano but has been re-voiced by the composer for SATB and piano (Don't know if this is the same Rossetti in Washburn's "Rossetti Songs") Joseph Farrell Assistant Conductor/Bass-Baritone Albany Pro Musica Chamber Chorus Albany, New York "America the Beautiful," Katharine Lee Bates. When she went to teach in Colorado for the summer, for example, she insisted that they find a token job for her special friend. I forget the details, but you can find background information in lots of places. Here's the paragraph I wrote as an Arranger's Note -- I don't mention that aspect of her life, but I found some other fun facts. About the poet: Katharine Lee Bates grew up in Falmouth, Massachusetts, where she began writing poems in a little red notebook at the age of nine. Memorials in her home town include the Shining Sea Bike Path, a life-size bronze statue, and a feather from Polonius, her parrot. Bates graduated from Wellesley College and spent most of her professional life teaching in the English department there. She wrote prize-winning children's stories and books, patriotic and sentimental poetry, and scholarly studies of early English plays. She taught early English drama in the summer session of Colorado College from July 10 to 28, 1893. On July 22 she participated in a college excursion to Pikes Peak. The expansive view from the summit inspired her to write a poem that started "O beautiful for halcyon skies...above the enameled plain." Bates first published the poem in the weekly journal The Congregationalist on July 4, 1895. She published a revised version in the Boston Evening Transcript on November 19, 1904, and a final revision before 1912. The present arrangement sets the first and fourth verses of her text. Good luck with this interesting project. I think you'll find that with historical poets it's hard to define who's GLBT. Best wishes, Nina Gilbert Director of Choral Activities, Lafayette College Easton, Pennsylvania Isn't there an interesting setting of "My True Love hath my heart, and I have his" by Sir Philip Sidney (Sydney?)? I don't know anything about the poet, actually. David Griggs-Janower Schenectady, NY Certainly don't leave out Hanson's "Song of Democracy" with Whitman's text! I also agree with you: the Foltz "She Walks" is also my favorite! David Tovey I have programmed "Coming in the Fall" a setting of Dickinson's poem by Jonathan Adams, published by Alliance. Best of Luck, Bruce C. Lengacher Acalanes High School Lafayette, CA I have two pieces that may interest you for your project concerning SATB settings of GLBT poets. To a Locomotive in Winter (for unaccompanied mixed choir; duration 6 min.) A setting of a poem by Walt Whitman (1819 - 1892) first published in "Two Rivulets" in 1876, and subsequently published in "Leaves of Grass," 1900. "To a Locomotive in Winter" received a reading by the Gregg Smith Singers at the 2001 Adirondack Festival of American Music. The Oregon Repertory Singers presented the premiere performance at the Oregon Bach Festival on Saturday, July 6, 2002. Tom Manoff, classical music reviewer for National Public Radio, wrote in the Eugene Register Guard: Greg Bartholomew, a fine composer not afraid of accessibility, set Walt Whitman's To a Locomotive in Winter in a sturdy, lyrical style. Tuneful and diatonic, the music seemed appropriately Whitman-esque. Seattle Pro Musica performed the work on March 8 & 9, 2003, in a concert entitled "Best of the Northwest." Stoke Fleming (for unaccompanied mixed choir; duration 3:30) Stoke Fleming is a small hamlet southwest of Dartmouth on the English Channel. The sensuous text for this meditation on the rocks and the waves was written by the composer (who is gay) during a weekend stay there in 1978. The music was completed in January 2000. The piece received a reading by the Gregg Smith Singers at the 2000 Adirondack Festival of American Music. Greg Bartholomew Email: GBart44(a)aol.com Web: http://members.aol.com/GBartWeb Gorgeous pieces by Gwyneth Walker for women's chorus. The texts are by Mary Swenson, publ. by EC Schirmer. I think they're called "songs for women's voices." They include I will be earth Mornings Innocent Love is a rain of diamonds and more.... Iris Levine You might consider: Samuel Barber (himself gay), Let down the bars, o death (Whitman); William Bergsma's Wishes, Wonders, Portents, Charms (includes Whitman); Elliott Carter's Heart not so heavy as mine (Emily Dickinson); Dello Joio's Vigil Strange (Whitman); Leonard Bernstein's Warmup (from Mass). All of these works are available except the Dello Joio--and also Gordon's Three by Langston-- are available at very reasonable rates from our rental library. See our website for details or contact me. Hope this helps. Best wishes in your programming, Scott Gillam (scott_gillam(a)hotmail.com) NAS Choral Music Rental Library (www.nasingers.org) What a fascinating idea! Please post a compilation. You know, Shakespeare could be included on this list - definitely a "B". And the settings of his works are so numerous as to be overwhelming. Vaughn Roste Edmonton, Alberta I wrote an a cappella piece based on "She Walks In Beauty" I think you would enjoy. The recording on my website was recently made by the choir at Fresno State with Dr. Anna Hamre directing. You can hear the recording, see the score, and read program notes at http://www.gladdemusic.com/shewalks.htm I'd love to have you perform it! Scores can be ordered directly from me. Other titles of mine can be seen at my online catalogue - http://www.gladdemusic.com/4music.htm Brad Nelson San Diego Please consider the following piece. If the description appeals to you, I will send you a score and CD containing a performance of the music. *WITH RUE MY HEART IS LADEN (SATB) was published by Moon of Hope Publishing, but is distributed only by Picardie Court Publications. Wallace De Pue set music to A. E. Housman's poem: With rue my heart is laden, for golden friends I had, for many a rose-lipped maiden and many a light-foot lad. By brooks too broad for leaping, the light-foot lads are laid. The rose-lipped maids are sleeping, in fields where roses fade. This piece is somber in nature and provides an excellent contrast to a program of fast, driving music. The music is as pensive and delicate as the soul moving text. The written vocal ranges are: Soprano: C1-g2; Alto: g-c2; Tenor: G1-g2; Bass: G-D1. EASY TO MEDIUM Sincerely, Wallace De Pue * My e-mail address is wallace(a)bgnet.bgsu.edu * * My homepage is http://mustec.bgsu.edu/~wallace * It was nice to see my Rossetti Songs included in your list. If you have any questions I'd be happy to help. Sincerely, Jon Washburn Artistic and Executive Director Vancouver Chamber Choir 186 West 18th Avenue, Vancouver, Canada V5Y 2A5 washburn(a)direct.ca At 04:03 PM 10/1/03 -0700, Colleen Kennedy wrote: >Hello colleagues, > >I am trying to put together a program of SATB music with texts by >gay/lesbian poets. Currently I have found: > >- She Walk in Beauty, Foltz (Lord Byron) - I know there are other >arrangements of this text - this is my favorite! >- Dickinson Madrigal, Bourland >- 2 Poems by Emily Dickinson, Diemer >- 3 by Langston, Gordon >- Rossetti Songs, Washburn >- Stein Times Seven, Kernis >- Give Me the Splendid Silent Sun, Butler (Whitman) >- 3 Whitman Settings, Clausen >- Whitman Madrigal, Iannaccone > >I know there's a ton of stuff out there. If anyone could please offer some >suggestions as well as comments on the above titles, I would very much >appreciate it. Thank you.
on July 28, 2004 10:00pm
Hi everyone, I am a new middle school choir director. I have a dilemma on my hands in which the previous director has set up a strong tradition of attending a contest in Colorado Springs that is unfortunately (and only partially) financed by "Focus on the Family"-a right wing, religious, anti-gay organization. I am not in the habit of being associated with any kind of hateful and discriminatory groups/persons and therefore I would prefer NOT to attend for this reason. However, I'm afraid that I would have mutiny among the students and protests/complaints from the parents as there are so few contests available to us. My thought is that I could take the group to compete at this event only if they could sing music that would send a powerful enough message to those in attendance about equal human rights, and non-traditional families, etc, but not so much that I would draw another kind of fire from parents/students. Any suggestions? p.s. I also plan to write a letter of disappointment to the event's other organizers/attendees about the sponsoring group's track record. Have any literature suggestions? Yanko p.s.s.(feel free to respond directly to me at YankoGoorall@aol.com)
on July 29, 2004 10:00pm
I suggest the world would be better served if you use music to find the things we all have in common rather than to confront. This seems like a really ineffective way to approach this topic. Anyway, there is hardly any music on the theme you're suggesting. Something more subtle would be to find texts which advocate acting out of love rather than hate. This might have just as much effect in the long run without provoking a backlash.
on September 8, 2004 10:00pm
I'm puzzled that ChoralNet would include Gay/Lesbian music as a musical category. To my way of thinking, this is no more justifiable than Sado/Machonistic music. Aren't we talking about perversion?
on September 8, 2004 10:10pm
Not all music has to be about good things, Robert. We have a category for Vices, for example, and several about War -- if that's not a perversion, what is? Anyway, ChoralNet doesn't pass judgment on people's concert themes. We just facilitate communication. If someone posted a compilation of S&M choral music, we'd link to that, too.
on July 18, 2005 10:00pm
I know this is late, but Yelton Rhodes Music (www.yrmusic.com) has an extensive listing of choral works addressing GLBT life.
on January 10, 2007 10:00pm
Looking for an SATB arrangement of Que Sera, Sera by Livingston/Evans (Hi Robert Jordahl! All the best to you!)
on December 12, 2011 10:46am
As an update, my current wesite is gregbartholomew.com, where you may find information and recordings of all my choral works, including my SATB setting of the poem "To a Locomotive in Winter" by Walt Whitman. I am happy to send perusal pdf scores to any interested choral director.
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