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School Musical

Fellow Teachers:

I wanted to thank everyone for all the great advise regarding my
previous question about doing musicals. I just finished the musical
at my high school for this year and we are now planning the musical
for next year. The drama teacher has given me a suggestion for next
year, he is really talented at picking out a great story but does not
take the music into consideration when picking a musical so that is
were I come in. However, I am not a musical theater person and so I
am quite unfamiliar with shows. We just finished Urine Town, which
was a fantastic show but too hard for our current students. I cut
almost every song down to unison singing and we had a low baritone
singing our tenor lead...you get the picture. I want to help the
performing arts department pick a great show that will also fit the
skills of our students.

Now at my school, the choir students do not typically go out for the
musical, I don't know why and I am working on really promoting the
musical to our choirs. However, I just cannot predict if any of them
will go out for the musical next year (I hope they will). So I am
still needing to pick a musical for non trained singers, all of which
have trouble in the extensions of their ranges, singing anything other
than unison and all of which cannot read any music and need a musical
that can be completely taught by rote. Does anyone know of any great
musicals that are not vocally demanding? Keep in mind, my drama
teacher would scoff at the suggestion of Guys and Dolls, or South
Pacific, or any "traditional" show. He likes doing "edgy" shows and
avoiding ones that are "over done", and I respect his opinion and
understand where he is coming from.

Thanks for all your advise and if you need more details let me know.

Thank you
Colleen Mahal
cmahalchoral(a)gmail.com




on March 22, 2009 6:07pm
Howdy Colleen!

First of all, I think you might have better luck addressing the issues which are currently preventing your Choir students from trying out ... rather than trying to find a musical which requires little singing.

OR choose a musical which is going to entice your Choir students to try out.

Either way, here's a great book which can help...

"Let's Put On A Musical: How to Choose the Right Show for Your School, Community or Professional Theatre," by Peter Filichia. He's updated it as well in his 2007 edition.

The book analyzes just about every available show, including such things as creators, background, story, assets, who you'll need, designated dances, suggested sets, costumes, important props, provided instrumentation, advertising and marketing, suggestions, resources, and rights.

The author is succinct, but candid, offering a great snapshot of hundreds of shows.

Here's a link:

http://www.amazon.com/Lets-Put-Musical-Theater-Expanded/dp/0823088189/ref=sr_1_1?ie=UTF8&s=books&qid37754892&sr=1-1

BTW, if you'd be interested in RAP musicals, let me know -- I have a good friend who's on the leading edge of this movement.

All my best,

Tom

Tom Carter
www.choralcharisma.com
tpcarter(a)earthllink.net



Tom Carter
tpcarter(a)earthlink.net




on March 22, 2009 6:07pm
Colleen,

If you restrict the suggestions to "edgy" and current, then the pickings are slim indeed as far as your vocal limitations are concerned. An edgy show often has very high vocal demand. I can think of one new show, "The 24th Annual Putnam County Spelling Bee" which, if I'm not mistaken, has just become available. "Putnam" is mostly "character" voice roles and manageable by the untrained singer. "Grease" is the perfect show for the untrained voice, but done to death. There's a censored version of RENT available, and as I see it, untrained voices can manage this with a minimum of fuss. "Seasons of Love" is very popular from that show.

"Hairspray" and "Mamma Mia" would be fun, neither requiring trained voices, when they become available. I'd really consider some unknown, brilliant show that no one ever does - two in particular - "The Boys from Syracuse" and "Finnian's Rainbow." Syracuse is one of those shows where, when people hear it, they say "I never knew THAT song was from THIS show." It's full of surprises, and a good book as well.

FINNIAN'S is filled with gorgeous music, not wide in range, a lot of character voicing, you need black actors - much of it is about race, but with a real satirical view. There's a Southern Bigot Senator complete with white suit and ante-bellum manse, sipping mint juleps on the front veranda who has wonderful lines like "Foriegnors! Immigrants! Mah family's been havin' trouble with foriegnors and immigrants ever since they came to this country!" The senator turns black as a result of an act of magic, (there's a leprechaun in the cast), so it's tradiitionally been done with a white male who has to do black-face with make up for the change - pretty much anathema regarding political correctness these days. So my answer is, cast it black to begin with, then as the white senator the black actor can be in "whiteface," then just wipe it off for the change. Then you circumvent criticism, (if that's ever possible). If you don't have enough African-American kids, then you can't really do this. It would be like trying to do "Showboat", or "Ragtime" with no black actors.

"Pal Joey" and "Pajama Game" are also not done much, but are both suitable to your vocal requirements. They're not as edgy as Urine Town, or much at all, so they may not appeal to your director. Damn Yankees is still a lot of fun if you have a lot of boys. It can be made edgy enough with Lola and the Devil, and the baseball locker room, and it's not done much. Thinking of that, there are a number of shows that can be re-thought to update them and make them edgy, but that requires some time and thought.

I'd love to know what you decide on, if you'd care to share when the decision is made. Best of luck with wnatever you select.

Best wishes,

Bruce Haines
brucejhaines(a)comcast.net
Oakland CA




on March 22, 2009 6:21pm
Hi all

Does anyone know if there is a website that has a database of school
musicals and can rate them according to the musical, staging,
production difficulty?

Thank you
Colleen
cmahalchoral(a)gmail.com




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