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Haydn Creation cuts

Listers:
 
I’m planning to do Haydn’s Creation in spring and would like to cut it from its usual 105 minutes (more or less) down to about 75-80 without seriously killing the story or eliminating “must-do” movements.  This is made difficult by the structure of scenes corresponding to “days” in the work.  Also:  I’d rather cut arias than choral movements, but I think most of the recits need to stay.
 
Anyone else tried this?  If so, do you have something that works?
 
Many thanks . . .
on December 14, 2009 1:10pm
Ian,
 
One way to shorten "Creation", which is sometimes used here in UK, is to finish with "Achieved is the Glorious Work", thus omitting all of Part 3.  That final part, although it has some fine music, really adds nothing to the Creation narrative, and also contains some rather suspect theology!
 
Regards,
David Marsden
Conductor, The Sale Methodist Singers,
Sale, Greater Manchester, UK
on December 15, 2009 7:59am

We just did Parts 1 and 2. Very satisfying. I think the Adam and Eve duets are silly.

Robert Russell
Maine

on December 18, 2009 10:37am
 Ian,
 
I couldn't disagree more with Robert's opinion on the Adam and Eve duets.  The gender-bias inferences in the second duet may be questionable by modern standards, but the music is exquisite.  There can be no objection to the first duet: with that slow 12/8 dance and the later choral interjections, this is some of the best music in the work.  The second duet and its prior recit could be cut completely, or if you are looking to save a few minutes, there is a cut possible in the duet that would shorten it by half.  The final chorus has to be your closer, to be sure.  Re David Marsden's comment, I can't think of any reason to make cuts in works where the theology is suspect, especially if this is a performance in a university setting.  If one cut parts of Mendelssohn's Elijah because of one's objections to the 'Old Testament way of handling conflict', one would have to cut the entire Baal scene, etc.
 
Len Ratzlaff
University of Alberta
on December 20, 2009 2:49pm
 
 
 Here is a cut version. Break-a leg!
 
 
The Creation (An Oratorio) by Joseph Haydn
 
Introduction: Representation of Chaos
Recitative (Bass) and Chorus “In the Beginning/Let There Be Light”
Air (Tenor) and Chorus “Now Vanish/A New Created World”
Solo (Soprano) and Chorus “The Marv’lous Work”
Recitative and Air (Soprano) “With Verdure Clad”
Recitative (Tenor) “And the Heavenly Host”
Chorus “Awake the Harp”
Recitative (Tenor) “Let There be Lights”
Chorus “The Heavens are Telling”
Recitative (Bass) “Let the Earth Bring Forth
Air (Bass) “Now Heaven in Fullest Glory Shone”
Recitative (Tenor) and Air “In Native Worth”
Recitative (Bass) and Chorus “Achieved is the Glorious Work”
Recitative (Tenor) “O Happy Pair”
Chorus With Quartet “Sing the Lord, Ye Voices All”
 
 
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