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Music History Unit Ideas - Please Help!

I am currently working on a Music History Unit that I plan on teaching in January and I am looking for ideas to make music history fun and exciting...not just audio clips and lecture. I am looking at 10-11 school days to spend on this unit/project.  How have you taught music history? What did you use for resources? Have you had your students do their own project? What kind of projects did your students produce? The only thing I won't do is dress up as a noted composer or historical figure-too out there for me. Any ideas would be greatly appreciated!
Replies (7): Threaded | Chronological
on December 26, 2009 8:12pm
 I teach music appreciation at the community college level. Our classes often include the "early college" high school students who are on our campus as well. I highly recommend experiential activities. You don't indicate a period on which you want to focus, so I will just list some suggestions:
 
1) Allow your students write their own poems in the fixed forms of the middle ages (for example, rondeau).
2) Write a brief libretto for an opera.
3) Compose using ostinati (an example of a Baroque composition based on a basso ostinato would be Dido's Lament. I have found the story behind this opera to be very engaging for modern day students. It has lots of "soap opera-type" drama:) Orff instruments will come in handy for this activity, or you can use world percussion, body percussion, small percussion or found sounds.
4) Teach a simple Renaissance dance.
5) Bring in recorders for students to play.
6) Make a "top ten" program for a given year in history (for example, the "greatest hits" of 1750
7) Students could write the dialogue for a job interview with Mozart.
8) Seek publications that involve the Orff approach, as they will be accessible, but they may include historical styles as well. I suggest West music as a place to start. Here is a link to a book on their website. This music is highly accessible and even if you don't have the Orff instruments, use your piano, and have the students sing the recorder parts.....Make it work for you! Sounds like fun!!
 
Here's that link - There are other works by these authors on that website too.
 
on December 26, 2009 8:54pm
Hi, Pamela.  I guess I'm not the best person to answer, since as it happens I teach music history at the college level with readings, listening assignments, and lectures!  I haven't found any better way to approach what is, after all, a HISTORY course with a highly technical subject.
 
So let me just ask what your goal is?  What do you hope to accomplish?  What do you hope your students will learn?  (I'm assuming that you are at the high school level, and I also have to assume that you hated the music history courses you had in college!)
 
The Survey course I teach (which happens to be a Core Curriculum course aimed at non-music majors) barely covers the basics in two full semesters, so obviously you can't teach actual HISTORY in 10-11 school days!  So what DO you want to teach that doesn't involve any facts or understandings of developmental processes?
 
How about the development and growth of the symphony orchestra?  And a few (a VERY few!) of the musical forms associated with it.  Understanding what an orchestra is, how it developed from private entertainments for the wealthy and important, how popular it was in the 19th and early 20th centuries, and how it can be heard in most of the large-scale blockbuster movies they will be familiar with might make an interesting Unit, and aiming it at movies they know might provide the "fun" you want.
 
Or a similar Unit on the development of the modern chorus and choir?  That would absolutely have to get into the use of music in the medieval and renaissance churches, of course, and discussion of why women were forbidden to sing, and of how men and boys managed the several ways to cover the cantus and altus parts, but that would open up some very interesting discussions.
 
I wouldn't try a survey of composers, because without the historical context of their time and place or the musical context of listening to and discussing their music it's just a random bunch of names.
 
Getting them to create their own music could be great "fun," but wouldn't teach anything about music as history at all.
 
Gee, with all respect for your desire to enrich your students' lives, perhaps it really isn't possible to teach history without, well, actually teaching history!  Although if this is a choral class you're talking about, you could certainly make the history of the specific pieces you'll be working on into very relevant learning, even though it would, again, lack context.
 
All the best, and I look forward to reading other replies.  I'm always looking for ways to improve my own teaching, and sometimes an old dog CAN learn new tricks.
 
John
 
 
on December 27, 2009 11:34am
 Actually, creating music using stylistic guidelines that reflect those used by the actual composers is quite a memorable way to teach the history of music. I've been doing that very thing for 15 years with a student population that includes high school freshmen. These students are often where my middle school-aged students were in the mid-1990s, developmentally speaking. Lecture and listening alone are not enough to engage them. Do I think my classes should be a "dog and pony show" everyday? Absolutely not! Do I administer tests that can leave a permanent mark? You bet! However I also have addressed the material aurally, visually, kinesthetically, and from a constructivist perspective before the test AND  the students see the relevance the subject has to their own lives. 
 
If you would like, feel free to contact me off-list and I would share some specific lesson plans that have evolved from years of teaching music appreciation to a varied population. 
 
Amalie Hinson
ahinson(a)cvcc.edu
on December 27, 2009 2:39pm
 My goal for the students is to learn a brief history of music. I want them to understand where music started and how it developed into what we have today.In college I really enjoyed my music history courses, but I teach mostly ninth grade students - so I am looking for ways to get them interested and have them be involved in their learning. I know 10-11 days is not a lot of time to introduce 2000 years of music history - but it's better than nothing! What I have planned so far - for each era I cover what life was like for the people of the time, the art and architecture, and of course the music part. Thanks for the reply.
on December 27, 2009 2:01pm
Projects do take time. 
  • How about  "Six - Ten classical pieces you should know" and choose one or two from each era. Start with modern and work backwards. With contemporary modern pieces (since  1970), play pieces from several composers (Penderecki, Torke, Higdon, Adams,  Piazzolla, Glass, etc.) and had the kids choose those pieces they liked the best and explain why.
  • Find pieces that have been played in commercials and films.  Put them in their true context! 
  • Find pieces that contemporary composers have filched or rearranged from classical composers - John Williams' film scores are great for this - and play the original along with the filched/rearranged version. 
  • Use San Francisco Symphony's Keeping Score DVD series.  My kids have loved all of them. My favorites are Tchaikovski's Symphony #4 which goes into how musicians prepare for a concert (everything from the piccolo player practicing "21 notes in 3 seconds," oboe reed making, tympani skin prep), Stravinski's Rite of Spring, and Copland's Appalachian Spring.
 
 
 
 
on December 29, 2009 7:39am
Dear Pam,
 
I have taught musicology, theory, etc. to a number of different ages and for varying lengths of time.  Albeit I generally gear things for college level much of this can work for any age group.  I would suggest making the class about them.  What type of music do they listen to?  Then compare it with what you are trying to teach them.  You didn't mention what you are trying to accomplish so I would bring in many different examples, and use some that have visual components so that they can see the instruments being played.   How does this differ from the music they listen to now and at the end of the session, perhaps ask if learning about some of these new styles of music makes any difference to them.  I realize 10-11 days is not very long, but I encourage you to incorporate a world view with culture in some of what you do, whether it is older music, traditional music, or classical music.
 
Good luck,
 
Dr. Anne Kilstofte
on January 5, 2010 6:43pm
Hi Pamela,
 
I teach a music history elective at the high school level.  I make my kids do a project on Mozart opera.  This is how this works.
 
Divide kids into groups of 3 or 4
 
Assign each group a Mozart opera.  I have used Marriage of Figaro, The Magic Flute, Don Giovanni, etc.
 
As a group they are required to give a multimedia presentation about the opera that is 10-20 min.  I know this sounds like a long time, but it is very doable.  Here's how I break it up:
 
Each member of hte gorup is required to choose a piece of music from the opera that they feel is important in the opera.  They must give a translation of the lyrics, and do an analysis of their piece. Again, this is at the high school level, so I try to focus on things like tonality, form, instrumentation, etc. 
 
As a group, they must present a brief historical context of the opera, and a plot synopsis.  This must be done using some kind of a visual such as a poster, or powerpoint.
Then, each group member presents their chosen piece of music.  They often use youtube and show us just a short clip of their piece so we can have an idea of what it sounds like.  Then they use their analysis to guide their presentation of the piece.
 
I have done this unit twice now.  We have block scheduling so it fits in our schedule nicely to do large projects like this, but the kids really seem to enjoy it.  I even had one group who made a flow chart to illustrate the many paths of love interests in the Marriage of Figaro!
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