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Looking for Solutions to semester long choir

I teach at an international boarding school.  Our students come from over 43 different countries and only 5% of my students call English their first language.  Many of our students come only for the one year experience of being in an American school.  Partly becasue of this, I have only a 5% to 10% retention in my choirs from year to year.  On top of that, my concert choir is only a semester long.  Every January I start the second semester with a majority of brand new students.
 
The easy solution would be to make concert choir a year long course but that will not happen at my school.  I have tried for 6 years and the administration insists on keeping things as they are.  I was able to get my show choir to a year format but every year I get a little pressure from the administration to change that back to a semester course.  Because we are a small school, students often can only fit choir into their schedule once because they need time to take other classes which they need for graduation requirements.
 
I feel like I stat from scratch every 18 weeks.  I have high school singers who do not speak English, do not read music and the majority of them have never been in a choir before.  Our school does not have a middle school music program so I have no feeder program.  I try to teach great vowels, phrasing...musicality!  However, when I have a room filled with students who are 17 to 18 years old and can't  match pitch, I get a little frustrated.  (By the way, I have no problem getting boys in choir.  My boy to girl ratio is almost always 50/50.  However, in my experience, 17 year old boys with no training ALWAYS sound worse than girls of the same age.)
 
I started learning to read music and sing in parts in my 5th grade choir.  I had three strong years in my middle school choir and by the time I got to high school, I could sight read most of the music that was in my folder, as could the other students in the choir.  I don't have expectations of my concert choir singing Mozart's Requiem, but I am very open to new ideas on how to get high school students to match pitch, sing correct notes AND sing with musicality and put on a concert of literature that is more than just remedial.  I love the challenge.  I love this school.  I love these students!  I can't change my circumstances so what else can I change to make a fine choral program for myelf and my students???
 
A
on February 21, 2010 5:59pm
I can feel for you.  I used to teach at an inner-city school with 50% turnover in student body each year.  I started a plaque that listed the names of seniors who had been in choir for all 4 years of high school and usually only had 2-3 per year. It was very frustrating and I felt very limited as a choral teacher.  Your situation is very much like what many Jr college instructors go through with a new batch of students each semester. 
 
I agree with what the previous post says; you may have to adjust your expectations and learn to live with them.  In my choral classes at this school I also taught a little music history, theory and general music (listening to recordings, studying forms and musical styles and eras). This helped the kids who weren't great singers but were academically strong feel more successful in the class.  It also took some of the pressure off of myself to relax and enjoy teaching something other than singing for a while. I also did not worry about performances very much; maybe only one per semester.
 
I don't know what you have time for, but you might feel more challenged as a musician if you can pull out some of your more talented kids and work with them 1-on-1 with solo literature, or even an after school/evening small ensemble of just a few voices.
 
I also find teaching new kids to simply learn where things are on the score can be challenging.  I'll ask them to put their finger on measure 12 and show their neighbor just to double check.
 
Good luck
on February 21, 2010 6:30pm
--gilrs have been getting used to their voices for 15 years -- the boys have been getting used to theirs for only 1-4 yrs
Give them the adjustment reinforcement repititions they need with unison singing with the girls, beginning with stepwise melodies, and branching out to small intervals, and eventually the skips so often in tenor, baritone and bass parts.
 
-- I found success with actually labeling low, middle, high for the boys, with at least one warm-up:
such as Do Re Mi Fa Sol Fa Mi Re Do,  done in three keys:  G (low), D (middle) and then Fsharp or G (high).
Just leading them through it, saying and calling out:  "Low"  "Middle" and then modeling the correct head/neck position for "high" is very helpful to them.  Then need the acknowledgment of the whole shift!
--I usually then repeat with tonic triad:  Low, Middle, High
-Later, in the middle of I piece, I will reinforce where their melody (or part) is low voice, middle voice, high voice.
 
Another trick is to make a short exercise out of a high phrase, and then sing it on syllables or a neutral or open vowel as a little vocalize, in low, middle, and eventually the high key where it is written.
 
One semester:  Acknowledge that the choir is a mix of first time singers, with experienced singers, and be open about partnering them with experience/non-experienced, or readers/non-readers, constantly having them 'check your neighbor'.   Just getting the newbies to know where to look on the page is a challenge, so I often ask,  "point to rehearsal  number 42, or measure 43, and check your neighbor".  They like helping each other, helps team building, and gets the newbies on track.
 
Use a unison song as transition between  vocalises/exercises and part songs
Have something fun to sing on Fridays, or their choice
Let them decide the rehearsal order occasionally.
Ask them for more input:  "do you want to go back over that again, or forward?"  Just giving them a little say, occasionally, is very helpful.
 
A favorite part warm-up:
Soprano,  Do, Re, Mi, Fa, Sol (fermata, breath)  Sol, Sol, Sol, Sol, Sol
Alto            Do, Re, Mi, Fa, Sol (fermata, breath)  Sol, Fa, Mi,  Mi,   Mi
Tenor        Do, Re, Mi, Fa, Sol(fermata, breath)  Sol, Sol, La, Ti, Do
Bass         Do, Re, Mi, Fa, Sol (fermata, breath) Sol, Fa, Mi, Re, Do
 
Somebody has to be everyone's first choir teacher --- enjoy!
on February 22, 2010 9:08am
One of the most useful things anyone said to me early in my teaching career was: you've got to meet people where they are. This was from a guy who taught special needs kids, and his example was that it doesn't matter if 9-year-olds 'should' be able to tie their shoes, if this 9-year-old can't, you've got to help him rather than complain about it.
 
Once I accepted this emotionally, it didn't make me drop my standards, but it stopped me being frustrated when people couldn't do stuff. And once you start focusing on where people are now, rather than where you wish they were, you find progress speeds up a lot.
 
Also, given that you just don't have the opportunity to build with the same set of students over any long period of time, it may help to think of your goal as making the singers as valuable as possible to the *next* choir they sing in. Imagine them going into an audition 2 or 3 years after they've left you, and saying, 'Oh I didn't used to know anything about singing, but I had a great start for a single semester in a school that gave me a foundation to build on and the love of singing to make me want to continue.'
 
And keep up the good work - the kids will know that you love what you do, and arguably that is the most important thing you'll teach them in 18 short weeks.
 
liz
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