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Does a bad rehearsal equal a great concert?

At times, I pray that it does!  Read what Chris Rowbury has to say:music-rehearsal.JPG
Very often, in the session the week before, or even sometimes in the rehearsal on the day of the concert, it appears that everyone in the choir has forgotten what songs they know, which parts they sing, and what they’re supposed to be doing. It’s as if some group amnesia has spread like a virus, as well as knocking the energy out of everyone.

Directing the choir in these situations is like climbing uphill through mud and always makes me despair, even though I know it’s just part of the process and everything will (probably) be all right on the night.

But that doesn’t stop me from despairing and wishing that I was somewhere else and really worrying if we’re ever going to pull the concert off. In fact, I even worry if people are ever going to remember how to sing again at all!

Then the concert arrives and (usually) everything goes swimmingly and we all forget the awful rehearsal the week before.

Afterwards, on a high and like a dog with a short memory, we start looking forward to the next concert and hope that everything will go smoothly, until that is, we get to the dreaded rehearsal the week before and it all happens again.

Then we remember: “Ah, yes, this is what happened last time”. But there is nothing we can do, and we despair again and we plod on again and we pray that it will all turn out fine. And it usually does.
on March 13, 2010 7:52pm
The complete text of the post poses this question., "What are rehearsals for?" One suggested response was that rehearsals are where you find out all the ways to get it wrong so you can put all of that behind you.  
 
In a way that resembles Michelangelo's answer to how he sculpted David. He said a took a piece of marble and chiseled away everything that wasn't David.  That works for marble because once you have chiseled away what you don't want it's gone forever.  With rehearsals, it seems that the material that has been carefully chipped away has a nasty way of re-attaching itself in the last days before the concert.  The pitches that were so crystaline and those ever so pure vowels have mysteriously left the building and baaad things have mysteriously reappeared.  Yikes  - horrors!
 
Then comes the concert day and suddenly it's "us" onstage and "them" sitting in those cushy chairs.  The presence of the others energizes "us" and "we" bond together to do our best for "them." Phew!!
 
So I guess what we choir directors are is a fraternity of chiselers (sorry about that).  I Iove Liz's observation that the purpose of the warm-up rehearsal is to calm and assure your group that their best will be good enough.  So tomorrow at 2:00 I will try to reassure them that what they do at 3:00 will be just fine and trust that all that chiseling has worked out and will result in an appealing sonic sculpture.