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Renaissance motet--how to stay together on four different parts

Hello! 
 
I am currently a sophomore music education major, and for my choral conducting class I am conducting Hassler's "Dixit Maria" to a high school choir.  This piece is a Renaissance motet, and the parts are very independent from each other.  How do I lead a rehearsal with the whole ensemble without everyone getting lost and falling apart? 
 
Thank you! 
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